Weisstub’s practice brings together theatre and sculpture, in interdisciplinary installations and performances. That embody the abstract notion of time passing. Primarily concerning the tension between the notions of permanence and vulnerability. In an era where mass computing has overcome our innate limitations (such as the ability to store our memories , never to forget)  Weisstub perceives a predominant social climate that denies natural processes of decay. By appropriating technologies, old and new, and placing them in dialogue with what it is to be human. Weisstub’s work creates a space to share our human vulnerability and understand it as a collective ontological condition.

Utilizing her background in theater she directs objects in Mise-en-scènes, creating sculptures that encompass the presence of life. While in her live performances she objectfice the human body, exploring its material limitations.